In a similar approach as minimalism, Haegue Yang views subjectivity as a key element in the definition of space. Her 'Dress Vehicles' series in particular is defined by this concept. The wheeled structures are constructed from aluminium frames, blinds and intricate knotted textiles.The sculptures are animated by performers who are invited to choreograph their own movements in the space, creating a relationship between performer and object as they ‘dance’ together. A programme of moving lights go to further animate the sculptures, the performers and the space itself. This will be triggered by the sound created from a drum-kit and microphone that the visitors are invited to interact with. This piece is therefore defined by the occupier and the audience and thus seems to suggest that our identity and behaviour is correspondent with our domestic environment.
Perhaps my interest in the domestic stems from a desire to understand the influences that define human character and behaviour. Or maybe it is the need for an occupier to determine and give value to private space concerns me?
Question: Do human actions shape rooms, or do rooms shape human actions?
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